TRM
153: STUDIO CONCEPTS
FALL
2015
Instructor:
Jessica Posner
Email:
jlposner@syr.edu
Class
Time: Tuesday, 8:25am- 12:25pm
Location:
Shaffer 214
Office
Hours: By appointment.
Please email first, and try to schedule an in-person meeting at least 3days in advance.
Please email first, and try to schedule an in-person meeting at least 3days in advance.
Office:
Room
231, Shaffer
Website:
trmstudioconcepts.blogspot.com
COURSE
DESCRIPTION
This
class is an interdisciplinary studio course in Transmedia.
“Transmedia” references a
discipline encompassing both time-based and digital art forms. At
Syracuse University, “Transmedia” is a department within the
College of Visual and Performing Arts (CVPA) which includes four
majors: Art Video, Computer Art, Film, and Art Photography. In this
class, you will be required to challenge and expand your assumptions
and ideas about these specific disciplines, as well as ideas about
art in general. You will be encouraged to think critically and
practically about your creative practices within the context of a
rigorous, supportive peer group.
We
will explore and deepen skills with digital tools including
computers, digital cameras, Photoshop CC, and Adobe Premiere Pro CC.
Conceptually, this course will address three major themes:
Myth
Making: Synthetic Image, Constructed Self
Cut,
Collide, Critique: The Mashup
Narrative
Sequences and Telling Frames: Cinematic Storytelling
Each
of these themes will correlate with specific skills and concepts,
homework assignments and readings, and a major assignment to be
presented in critique. More information about critiques, grading, and
tentative course schedule is included in this syllabus.
EXPECTATIONS
The
expectation is that you will work hard.
Push
yourself. A seed becomes a tree only after pushing through the
firmament.
We
will celebrate collective and individual successes and failures (also
known as “not successes”), receiving both as valuable learning
experiences.
If
you need help, reach out sooner than later. I understand life
happens, and am committed to helping you make the best work possible
given any circumstance.
YOUR
RESPONSIBILITIES
Your
responsibilities as a student in this class are to gather creative
research, make artworks using digital tools, and share and talk about
your work. In addition, you must actively engage with your fellow
students by being generous with your thoughts and feedback about
their work.
You
are responsible for communicating respectfully, frequently, and
punctually with both me (your professor), and your classmates. Always
ask questions. Try to anticipate your needs. Some of your classmates
may become life long resources, collaborators, and humans in your
life. Trust, use, and respect each other. Ask for help and feedback.
Be kind and generous with help and feedback when asked. This is a
life skill. Practice frequently. Commit
to being part of a community of critical thinkers and passionate
makers.
If
you feel stuck or “blocked,” it is your responsibility to contact
me and commit to working through your blockage. An important part of
learning the creative process is learning how to move through it when
things get hard, seem impossible, or feel futile.
I
am here for you. Do not hesitate to contact me. I will always do my
best to get back to you within 24 hours or sooner. I ask that you
please practice patience and professionalism. As emails do sometimes
end up in the wrong inbox or get accidentally archived, please follow
up if I have not responded to your query within a reasonable period
of time.
TOOLS
+ MATERIALS
- You will need a Mac laptop and Adobe CC (Creative Cloud) software, which you are required to purchase as an incoming freshman. We will be using Photoshop CC and Premiere Pro CC in this course. Student Subscriptions are $19.99/month at creative.adobe.com/plans.
Note: It is possible to complete and be successful on all assignments on a PC, many students have done so. Classroom instruction will take place on a Mac. If you are using a non- Mac operating system, you are responsible for learning, adapting to, and navigating the differences. Regardless of your operating system, you are required to learn and work in the Adobe CC programs taught within the framework of this class.
- If you do not already have one, you must purchase an external hard drive to regularly back up your computer and work. Computer failure and data loss are not acceptable excuses for not completing assignments. Please get one of these as soon as possible, and back up frequently. You will use this for backing up your entire computer-based life, and also for moving files between computers. Recommended size: 1TB. Lacie, WD, and Seagate are popular brands.
- You must purchase an SDHC Memory card for use with all Cage issued equipment (digital video cameras, dSLRS, etc.). You will use this in other classes and for many years. Recommended size: 32GB ($12 on amazon.com).
- A subscription to Lynda.com. As a Syracuse University student, you can access Lynda.com for FREE via lynda.syr.edu. Lynda.com is an incredible resource offering professional level tutorials for software and more. You will be required to view specified tutorials for homework. Lynda.com is truly an incredible resource available 24 hours a day, 7 days a week.
- A paper notebook, or sketchbook for your ideas, thoughts, notes. Your name and class time must be written on the cover. You will use this notebook to thoughtfully respond to writing prompts, questions, and readings. It will be collected from time-to-time. This will factor into your participation grade.
- TURNING IN WORK: You will be required to turn in the majority of your coursework using the Transmedia server. You can easily log on to the server from a Mac computer. If you do not have a mac computer, you will need to access one in a lab, from a friend, or make other arrangements to upload your work. To log on to the server from a Mac:
1)
Open Finder, select “Go> Connect to Server...” from the menu
2)
Paste the server address: “afp://vpa-trmshare.syr.edu”
3)
“Connect” as “Guest.”
4) A
finder window will open, upload files to the appropriate folder
- Check your email. Syracuse University expects you to check your @syr.edu email account at least once a day. You will be held responsible for information emailed to you at your @syr.edu email address.
CRITIQUES
Critiques
(also referred to as “crits”) are the equivalent of exams for
studio classes. Depending on the size of our class, there will be
between three and six formal critique days during the course of the
semester. Attendance on
critique days is mandatory.
Failure to attend will impact both your class participation grade and
your project grade. Choosing to not turn in assignments on critique
day will earn an F grade for the assignment.
Additionally,
all students are expected to be set-up and ready to participate at
the beginning of the class period. For example: you should be
done rendering, done printing, done compressing, done
uploading, done transferring files, and absolutely done editing.
Projects
still in progress at the start of class on critique day will be
considered late. An automatic deduction of one letter will be made to
the project grade for late work. Late work will receive a partial
grade reduction for every day it is late. (For example: the highest
possible grade for an assignment turned in seven days late is a D.)
REVISING/
RE-EDITING WORK
You
may continue to work on any assigned project for a higher grade until
the end of the semester, as long as a completed version of the
project was presented for critique.
HOMEWORK
You
are expected to complete at least 6-9 hours of work outside of class
every week. Please
be proactive about managing your time wisely and economically. Things
often take longer and frequently go wrong when you wait until the
very last minute—especially when dealing with technology.
Procrastination often leads to unnecessary stress, and not realizing
efforts to your highest potential.
READINGS
You
will be given few readings for this class, as your reading load in
Colloquium is fairly heavy. The readings for both classes will
provide you with a frame of reference and language for criticality,
both in our time together and also for participating in the discourse
of contemporary culture in general.
Expect
to grapple with the texts. Reading about art can be challenging. You
are not expected to perfectly understand everything you read. To help
process these texts, you
are required to take notes for each assigned reading in your
notebook. Come
to class with at least
5 prepared points you
would like to discuss in class. These points should include (1) the
main arguments of the reading and (2) any questions, concerns,
disagreements, or agreements you have with the text. Bring these with
you class, and be prepared to share (and sometimes turn them in).
This will factor in your participation grade.
CLASS
ATTENDANCE
Attendance
is mandatory. 3 or more absences will result in course failure.
DO
NOT ARRIVE LATE. DO NOT LEAVE EARLY. More than one tardy counts as an
absence. I begin every class with important information, and will
not repeat it for late comers. If you regularly arrive after the
start of class, your grade will suffer. You are responsible for
information you miss.
Only
illness or family emergency with a signed excuse from your legal
guardian, note from a physician, or a notification of religious
observance (within the first two week of class, via myslice) are
considered excusable absences according to university policy. Please
do your best to inform me prior to the start of class if you will be
missing class.
Please
do not come to class if you are suffering from contagious, infectious
disease.
GRADING
25%
Class Participation, Blog, and Attendance
15%
Artist Presentations
60%
Projects (20% x 3)
Project
grading:
50%
demonstration of technical competence
50%
conceptual merit
You will receive instructions and expectations for each
project. Questions not answered in the assignment sheet should be
voiced.
Grade
Guide:
A/A-
90-100% Outstanding: critically pushes the limits of
student's
creativity, technology, and assignment.
B/+/-
80-89% Thorough: thoughtful, creative, good work.
C/+/-
70-79% Average: minimum project requirements met. Displays
basic competency.
D
60-69% Poor: does not meet minimum requirements.
F 0-59%
Failure: unacceptable, incomplete, absent.
CLASS
POLICIES
Your
psychic presence is as important as your physical presence. Please
keep all cell phones, tablets, computers, and other devices off and
stowed away for the duration of class. Laptops are permitted during
lab time only. Breaking this policy results in a drop in your
participation grade, and can result in ejection from the classroom.
ACADEMIC
INTEGRITY
Syracuse
University’s academic integrity policy reflects the high value that
we, as a university community, place on honesty in academic work. The
policy defines our expectations for academic honesty and holds
students accountable for the integrity of all work they submit.
Students should understand that it is their responsibility to learn
about course-specific expectations, as well as about university-wide
academic integrity expectations. The university policy governs
appropriate citation and use of sources, the integrity of work
submitted in exams and assignments, and the veracity of signatures on
attendance sheets and other verification of participation in class
activities. The policy also prohibits students from submitting the
same written work in more than one class without receiving written
authorization in advance from both instructors. The presumptive
penalty for a first instance of academic dishonesty by an
undergraduate student is course failure, accompanied by a transcript
notation indicating that the failure resulted from a violation of
academic integrity policy. The presumptive penalty for a first
instance of academic dishonesty by a graduate student is suspension
or expulsion. SU students are required to read an online summary of
the university’s academic integrity expectations and provide an
electronic signature agreeing to abide by them twice a year during
pre-term check-in on MySlice. For more information and the complete
policy, see academicintegrity.syr.edu.
INSURANCE
Equipment
checked out from the cage is your responsibility entirely. If it is
lost, stolen, or broken; you are responsible for the replacement
costs. You may want to consider purchasing equipment insurance
through the University. This is optional, and more details are
available at the cage. Your renters insurance or parents' insurance
may cover this, so be sure to check.
DISABILITY
SERVICES
Our
community values diversity and seeks to promote meaningful access to
educational opportunities for all students. Syracuse University and I
are committed to your success and to supporting Section 504 of the
Rehabilitation Act of 1973 as amended and the Americans with
Disabilities Act (1990). This means that in general no individual who
is otherwise qualified shall be excluded from participation in, be
denied benefits of, or be subjected to discrimination under any
program or activity, solely by reason of having a disability.
If
you believe that you need accommodations for a disability, please
contact the Office of Disability Services (ODS),
disabilityservices.syr.edu,
located at 804 University Avenue, room 309, or call 315-443-4498 for
an appointment to discuss your needs and the process for requesting
accommodations. ODS is responsible for coordinating
disability-related accommodations and will issue “Accommodation
Authorization Letters” to students with documented disabilities as
appropriate. Since accommodations may require early planning and
generally are not provided retroactively, please contact ODS as soon
as possible.
You
are also welcome to contact me privately to discuss your academic
needs , although I cannot arrange for disability-related
accommodations.
FAITH
TRADITION OBSERVANCES
It
is the policy of Syracuse University that no student should be
refused admission or be expelled because he or she is unable to
participate in any examination, study or work requirement because of
his or her religious holy day requirements. Please
fill out the required faith tradition observance form on
myslice.syr.edu
within the first two weeks of class. Additionally, please arrange a
time to meet with me to make arrangements on a case-by-case basis.
STUDENT
ACADEMIC WORK
I
intend to use academic work that you complete this semester in
subsequent semesters for educational purposes. Before using your work
for that purpose, I will either get your written permission or render
the work anonymous by removing all your personal identification.
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